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Villanova Magazine - Fall 2003 Edition
  A way of living: Reflection on Learning to Teach and Appreciate Music
Kathleen Lamb’04


On June 16 2003, in-service music teachers from all over the country gathered together to attend Villanova’s Summer Music Institute, a graduate program devoted to helping high school and elementary music teachers pursue higher education. The Summer Music Institute in association with The University of the Arts in Philadelphia (accredited by the National Association of Schools of Music) offers a variety of practical graduate courses ranging from Comprehensive Jazz Choir Techniques to Introduction to Playing the Drum Set. Ranked the 2nd largest provider of graduate music training courses for educators (successive only to VanderCook College of Music) the Summer Music Institute gives Villanova national exposure in an area that Villanova has not yet developed in undergraduate studies.

Over the past 14 years, many prestigious instructors have come to Villanova to teach at the Summer Music Institute. This year: Larry Edwards, conductor of the Memphis Symphony Orchestra taught Choral Conducting Techniques; Jerry Nowak, the most well noted composer in band music taught Instrumental Conducting; Mike Myers, a world class guitar player who has previously played with Bela Fleck and Pete Seger, founder of Old Town School of Folk Music in Chicago, taught Guitar for the Non-Guitarist; and Louis Fiftal, music education consultant taught Music Theatre in the Elementary School. Although these classes stress practicality, a deeper reason why in-service music teachers and their instructors assembled at Villanova relates to the genuine love of music that they share.

On June 23, a perfect summer day welcomed these music instructors and students who gathered together in St. Mary’s grotto beneath the shaded grove for a picnic. After a long day of classes, students and instructors chatted away about the classes that they taught, or the instruments that they played; asking others about their musical interests and enjoying the sunshine and soft breezes, unique for this June. These picnics outside of the classroom on many Mondays of the session allowed students and instructors to get to know each other on another level fostering community.

Organized through the Office of Music Activities at Villanova and under the supervision of director John Dunphy, the Summer Music Institute has grown as a program from less than 100 students in its first year to over 800 music aficionados today. Such events elevate music at Villanova to the foreground. Dunphy asserted that, “part of [his] mission is to train audiences,” that music is not simply for choirs, bands, ensembles or the average Julliard student, that in reality music is an important part of everyone’s life, especially to students of an Augustinian University.

An Augustinian community is about sharing ideas, ideas that change people, promoting growth and as Dunphy stressed, “not just verbal ideas.” In The Confessions, Augustine makes a curious connection between the creation of the universe and the singing of a song: “Each sound just as it is made, passes away; and you can find nothing that you can call back again and shape by art, and thus the tune has its own being in the sound and the sound of the tune is the matter of the tune.” Augustine uses the analogy of singing a song to illustrate the way human beings pass through time; just as one note gives way to another, so too does one moment, one instant, one second lead to the next, composing the melodies of our lives, a song of transformation. Music aided in the transformation of Augustine’s heart as well. In Augustine The Bishop, F. Van Der Meer records a mystical experience of St. Augustine that occurred in April of 387 A.D. in the presence of a congregation filled with song. Augustine later recalled this experience proclaiming: “How I wept on that occasion at your hymns and your songs of praise, being so deeply moved by the voices of your sweet sounding Church. These voices penetrated into my ears and your truth drop by drop entered my heart and from that same heart a warm piety rose up so that my tears flowed, and as they flowed I was happy.” Akin to Augustine’s transformative view on music Dunphy believes, “If you sit in the presence of great music your life is changed forever.” Similarly, when someone joins a community, his or her life is not the same after leaving that community; they are changed. Dunphy said, “It’s like when people come to Villanova they never go home again, not the way they came. They go home, they visit. Community changes people; art changes people, change for the better.”

It is important to be involved in change. This past academic year a junior at Villanova, John Reinhardt published a literary journal, Change: A Celebration of Creative works from Villanova Students, Staff, Faculty and Alumni. Changes through the medium of music and all art involve not only the Villanova community, but a much larger community. Community, Augustine asserts in his City of God, is eternal. Community is in a sense a cycle of growth and a truly educated person continues to grow.

So, if you think that Chopin, Armstrong or Pavarotti is not for you, think again. Attending a concert, waving a lighter from side to side, mouthing the words of your favorite song, and dancing to the beat of base drums in the background is a much different experience than actually listening and understanding great works of music, which according to Dunphy are, “more cerebral; there’s not a lot of physicality involved, it’s between your ears, temporal…because there is a difference between Beethoven and Bach. We want students to be capable of discriminating music.” Appreciating the metaphysical elements of life affects the way we live. As Dunphy stressed, “Music is about hearing…study philosophy and you will find out that music is beyond what you think. Because it is another language, it does not require words. It is what it is, that’s music…it takes you to another place, and if you’ve never been there, I can’t tell you what it is.” In retrospective, take the risk, divulge in some Liszt or Vivaldi, their music may take you some where unexpected.

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